Teen Poets Recognized by Award Named for Providence Public Educator Maureen Kenner

The winning poems for the 2026 Maureen Kenner Memorial Prize have been announced, with Lina Durfee’s poem “Altitude Sickness” receiving the first place honor. 

The contest, held by poet Tina Cane and the Rhode Island Center for the Book, is a competition for students across the state in grades 7-12. The award is named for Maureen Kenner, a special education teacher who worked for 35 years in Providence Public Schools. According to RICB, Kenner was “A passionate instructor who believed in the power of art” and who “embraced the use of poetry in her classroom to nurture self-expression.”

This year’s competition, in its third year, was judged by RI Youth Poetry Ambassador Josselyn Wolf, who noted the difficulty of narrowing down the almost 80 submissions received. “The winners stood out for the specificity of their poems, the evolution of thematic through line, and for vivid imagery throughout,” she said in her announcement of the winners.

Competition co-founder and former RI poet laureate Tina Cane spoke to the importance of artistic recognition for teens and adolescents, saying “Creating opportunities for youth to have their poetry recognized outside of their immediate school helps young people to begin envisioning themselves as part of the larger world of working artists.”

The Providence Eye is proud to publish this year’s winning poems and extends congratulations to the poets.

2026 Maureen Kenner Memorial Prize Winners

1st place: “Altitude Sickness” by Lina Durfee 

2nd place: “Something to hold” by Beatrice Spondike

3rd place poem: “lyre bird” by Leo Blachly-Preston

Honorable mention: “If We Believe” by Kehan Tian

Honorable mention: “Elegies for Worldly Daydreams” by Daisy Zhang


altitude sickness 
By Lina Durfee

at 12,000 feet
body forgets what it
promised mouth i was seven
watching sentences end before they began
architecture collapsing in real time no one notices
avalanche crumbs wait your turn teacher said meaning
learn to be late to places you've already been the art is compression tongue pressing answers flat until becoming part of body instead of body lodging somewhere beneath sternum a weight with no name except three heartbeats between knowing three breaths between light holy ratio of making yourself small enough to enter rooms that weren't built for your particular shape of freezing how did you— as if elevation were choice as if some lungs weren't made to labor at sea level to crave the thin the stripped the barely breathable

you make me feel—
sentence hanging mist at treeline where
things stop growing upward start growing smaller
wind-stripped apologetic blooming (surrender) i watch
arrive where i've been standing cold-burnt relearning what to
call this endurance, blue-lipped “being ahead” calling it community
mother says: your people meaning those who also ration who recognize each other by what crystallizes in the space between what we know what we're allowed glass ceiling has a view because it exists where air forgets how to hold i see them— generations making themselves aerodynamic shedding everything that might catch be too much for atmospheres not built for us we become alpine wind-stripped beautiful in our adaptations to climates that demand we thrive by becoming less

some nights
head splits along fault lines
vision whites at the edges the way
it does when breathing wrong too long
forgetting that gasping is not the same as…..
i could descend—translate summit into valley
what i see into something safe for their vertigo but then the view…
and i've been breathing this air too long to remember easy too long to go
back to elevations where everyone breathes without thinking where knowing doesn't feel like drowning and brilliance isn't something you survive alone at 12,000 feet they say if the air feels wrong “must descend” no one mentions what to do when down feels burial-like when your lungs were always built for heights that make others dizzy

Something to hold
By Beatrice Spondike

The kettle screams as it remembers something, We said we’d never say again,
You pour black tea into two clay cups,
But only fill one to the brim.

There is a red stain blooming on the counter, Strawberry jam or wine, or something I won't ask. You’d wipe it away, and it stains your sleeve. A reminder,
If you're gentle it may fade away down into my bones.

Outside sparrows argue in the gutter,
Small bodies fight for absolution or maybe air, You could name their kind like constellations, Now you just pretend they aren't there.

And I think about murmurations:
How starlings move as a single mind,
A shifting shape that I wish would give me answers, About things that cannot be defined.

We were once the same,
A quiet, flickering design.

You say nothing, I say less,
Watch steam undo itself before our eyes.
There's a version of you in every room,
I don't know how to help.

The color red keeps showing up:
In the sink, on your nails, between my teeth, In every word I’ve almost said,
Selfish or selfless, I won't decide.

I want to ask you what you’ve lost,
Why the miles stay resoundingly still.
Grief sits heavy in my throat,
Like something I might spill.

So drink black tea going cold,
Let silence do its part.
Two sparrows on one wire,
Too thin to hold,
Or a mother's daughter with a heavy heart.

lyre bird
By Leo Blachly-Preston

i hear it through the walls as my mom hangs clothes on the laundry line
and again, late night stretching, ready to run, relearning to walk
meeting sam’s spirit when i’m awake at night, he’s telling me, take time
funny, since i never got much with him anyway.
i know he’d say, don’t weep after me
he swept up after himself before he passed, so he’d die on a clean floor but sam, the
curmudgeon, the man i think of when i see the pickup truck i’m saving for interrupts my
sleep, which i never had much of anyway.
how do i not cry?
every thought i have is caught in the gap between my front teeth, which has been closing these
last two years.
the way sam wakes me is with the same sound i hear when my mom tugs the laundry line
strung between the rusted pulleys we’ve been meaning to replace
or the wail of my hamstrings as i lean back into a stretching prayer
he’s there, never cradling me, across my room at the desk
checking that every gear moves smoothly in my ever-changing time
and over and over asking why i don’t replace the door
i slammed so hard in a bout of september anger that it fell off,
funny, since i miss september now.

i have moments of standing straight up into dizzy
and the head rush that comes mimics emerging into sun with the headache that it gives me. i
haven’t passed out from it yet, but through the walls at night, Mom tells me stories of when
her brother chipped his tooth, or Michael Gorin slammed his head against the radiator, new
years, 1980,
time passes, unstoppably, and inexplicably i move slowly, in anticipation of when i start to age
once my body has alienated the dreams of my mind
i’ll sit surrounded by boxes that harbor all i left unrealized
down the line, maybe wake my own grand nephew in his sleep
for company, when my solitude comes crashing down, as it does biannually
and i become bitter at how long i go without talking to friends

i remember the buzz of the call at the junction of Troy
and fighting to fish my phone out of my pocket
“this morning, eleven,
yes, he swept the floor before”
took the rest of the drive in silence
ignoring the calls from drunk Moy, and Michael Gorin,
pulled over just once to let a siren rip
and hope that wherever they went, they could do more
that their patient would not have his face turning spotted, or his skin eating in on itself.
the sun rose the next morning outside my hotel
the world kept spinning without him— i had my doubts
lasagna firmer from the fridge overnight
put on the same shirt i wore the day that Steve died
though that was before i knew much about him.
and caroline’s quiet, four ponds away
the wind took a day off, the lyre bird’s off the lake
and there’s a hand around my liver, i ask how much more it’ll take
i’m only reminded that i never make eye contact when talking
and say i love you while rushing out the door to give the car time to warm up
anyway.

and i hear it through the hotel walls too, as a family crams their things into a washing machine. i
sleep peacefully for the first day this month (a third over already)
i ship my oar
the dip of sam’s the only sound in the midst of the brother’s silent shock
that four became three
and as i stretch, the way my poppa did (before his mind outran the aging body)
to welcome in the sunrise
sam grumbles, the lone tear hidden beneath his melanoma spots
these are the visits on my journey, i don’t want you to weep, after me.

If we believe 
By Kehan Tian

If we believe
In a sun-drenched field, an emerald carpet spread, Beneath a sky of ceaseless azure—
Then must we also grant the grime:
The fractured glass on concrete, the slow,
Persistent seep of murk and sorrow?

If we must trust
The whispered words of love and care,
Can we deny the cry that shattered air,
The despair hoarded in a silent stare?

If we believe
What, then, shall we hold true?

Nature: a meadow’s vibrant breath,
Or the plastic tide of a synthetic death?
Sky: an endless, boundless blue,
Or the pall of smoke where a childhood tree once grew? Ocean: a sapphire, sprawling dream,
Or a grave for rivers, choked by our silent scheme?

If we believe
We must believe the knot of joy and rue,
The light defined by shadow, birthing all we know. For even in the deepest night, a single ember glows, A stubborn promise burning through.

If we believe, then let it be
To love the flawed, yet wondrous world.

Elegies for Worldly Daydreams 
By Daisy Zhang

When I find my eyelids sinking at precarious times of midday, somewhere, I know— A baby on four wheels is scrutinizing the sky, partitioned by telephone lines, In a place just like this one, where the trees move in varying degrees of life for the season But the sunbloom and its copper cage are too far up to budge. Inevitably, from the clouds Descends no angel, but a runner—to be watched—no guardian, a challenger Without a finish line, fighting motion blur and grasping at the chalk edges of buildings. Nothing’d be imaginary about it. All of us looked up at one point, and it was no greater than a world.

Somewhere, equipped with the quantum knowledge children gather from illustrations full of flashing anxious strings, I tried to depart from my body. Snowy little wires in my ears, phantom shards of fiberglass willed to fade from my fingertips, blue light-fueled companionship in the early nighttime. The universe I tried to escape to was still this one, only a branch that would shuffle me somewhere else before I existed, with spatula-scraped stars in the sidewalk and perception to an extent I couldn’t begin to manage. The stuff of governmental reports. Some babies dreamt of waking up on the back of a dragon, but it seemed too fantastical to be an escape. Magic, sometimes, is best knowing we’re still here.

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